This
pre-Socratic momento
mori was
inscribed in the forecourt of the Temple of Apollo at Delphi.
Socrates later expanded the idea and his thought became: The
unexamined life is not worth living
( Greek: γνῶθι
σεαυτόν).
mosaic
from Roman excavations
Hemingway's
protagonist in For
Whom The Bell Tolls,
Robert Jordan, struggles with a more salient momento
mori
as he sits on a Spanish hillside, mortally wounded, waiting for the
soldiers to come. He thinks suicide may be an option; but decides
against this option for there was "... still something you can
do yet." Written in 1939, Hemingway himself still had something
he could do. By the late 50s, his options were gone; and the shotgun
beckoned.
As
I mentioned last week, the man's life style went counter to his
writing style. How he wrote---simply, incisively, with an understated
elegance---was not how he lived. His life seemed to be one futile
attempt to be the characters he created in his fiction. He knew his
creations; but he did not understand himself.
This
conflict between creation and character and the abusive lifestyle
that followed led to a breakdown of his abilities and ultimately his
death. His life became complicated, his thinking muddied, and his
actions predictably angry and destructive.
Heminway,
Cuba
Benjamin
Franklin in his Poor Richard's Almanack wrote: There are three
Things extremely hard, Steel, a Diamond, and to know one's self. Need something to do? Have a good long look in the mirror.


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